So the mix is never re-typed
Conform the sound on its own, or with the picture.
Sound has always been the part of the conform someone finishes by hand. Origami treats it as first class: run it alone, run it with the video, or drive both from one AAF. Either way the files that belong to one clip are found by the identifier Avid wrote into them, trimmed to the edit, and handed back as a single master clip.
Grouped by the UMID Avid wrote. Eight files in, one clip out.
Written with nothing re-encoded. It opens in Avid as one master clip.
From the production WAVs
Read off the WAV
12A_T02.WAV
- Scene
- 12A
- Take
- 2
- Sound roll
- SR014
- Circled
- Yes
- Wild track
- No
- User bits
- 26 03 14 02
- Time reference
- 1 782 144 samples
- Family UID
- 7F3A…4C21
And the channel names the mixer typed, from the WAV's iXML. Trimmed, the WAV keeps all of it: Origami cuts the audio, moves only the time reference, and re-encodes nothing.
See all 43 columns of the audio manifest
The audio manifest, column by column.
43 of them
Fifteen your sound department already recognises
The headers are built to line up with the Sound Devices Wave Agent report, so anything that reads that sheet reads this one.
And twenty-eight only Origami can fill in
What the recorder wrote, plus what the conform knows: which event the clip was cut for, and the identifiers that keep the files bound together.
Take Origami for a spin with your own material.
A twenty-minute demo on a call, then a demo account on your own footage: pulls, conforms, deliveries, colour carried with the frames, and your AI assistant driving it.